We kept the handling noise that was in the archive because it’s authentic. “There was some really high-quality stuff, but then a lot of it your mate filmed it,” McGann said. It was the nature of the footage they had already. ![]() The interesting challenge of the reconstructed footage wasn’t just that McGann and her team had specific shot needs. ![]() “I storyboarded each scene using the archive that we had, and then put in pictures for the shots that I knew we needed to get,” McGann said. The filmmakers conducted interviews, placed the archive footage, and had a cut of the entire film edited before shooting in the waters of Mexico, the Caribbean, and Egypt to fill in the gaps. “We could have with scuba divers, but we just needed to keep the environment as close to how the archive was produced as possible,” McGann told IndieWire. Alexei Navalny, Subject of Oscar-Winning Doc ‘Navalny,’ Sentenced to an Additional 19 Years in Russian Prison
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